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Programa de Pós-Graduação em Artes Cênicas

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Research lines

Concentration areas and research lines - Program Differentials (Strengths)

 

Concentration areas and research lines:

  • THEATER THEORIES AND PRACTICES - Lines: 

1. Theater, Society, and Scenic Creation;

2. Scenic Languages, Body and Subjectivity.

 

Program Differentials (Strengths):

The program has established research collaborations with researchers from Latin America and Portuguese-Hispanic Europe. It regularly organizes the Colloquium Thinking the Contemporary Scenery which has brought lecturers and debaters such as Marvin Carlson, Patrice Pavis (1st edition), Ileana Diegues Caballeros, José Sanchez (2nd edition), Vitória Perez Royo and Marcelo Evelin (3rd edition). It has also established, through research groups, research nuclei on Poetic Policies of Contemporary Theater, Feminist Theater, Contemporary Acting, and Dance/Improvisation in Urban Contexts, which cooperate in the procedures and research methodologies with foreign institutions and universities. The program conducts historical and theoretical, as well as theoretical-practical projects. For the practicl researches, the program can use the Scenic Technology Experimental Laboratory, which offers latest generation illumination and sound systems, obtained with FINEP resources. The program currently presents 17 doctorate and 17 masters scholarships from Capes, 5 FAPESC doctorate and 1 masters scholarships, and 4 doctorate and 4 masters scholarships from Udesc (via PROMOP program).

 

 
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